CORAI Project
Revolutionize Art History™

What are we about?

Inclusion. Equity. Altruism.

History

The CORAI Project was an abstract idea that formed through the years into a mission-driven philanthropic organization. Art historians have been instrumental in the arts & culture and in developing theories and parameters to better understand the development of art through time and its impacts on society. It is not a secret that the history of art was built on a Western, Eurocentric foundation and that this filter has been detrimental to the status of non-Western art in museums, galleries, and the global community. High caliber skills and generational knowledge, across non-Western and agricultural cultures, were just as important as the classic European schools in nurturing the creation of art masters. People of all ages, abilities, groups, and ethnic backgrounds have created art in different ways and it is time for a more critical push of certain comfortable and traditional boundaries in art history.

About

The CORAI Project provides springboard grants to art historians that are working to change the field by challenging old parameters and proposing new theories. Art Historians at the B.A., M.A., or Ph.D level are eligible to apply for aid. Our values are rooted in inclusion, equity, and altruism.

Mission

The CORAI Project elevates and ensures the legacy of diverse art histories while providing funding to emerging art historians. 

Vision

Recognize and celebrate the art histories of people of color, women, and other historically marginalized groups as invaluable narratives within the field. 

 

Name

CORAI stands for:

Creating
Opportunities for
Representing
Art history
Inclusively

Logo 

 Design by  Bella Hall  

Design by Bella Hall 

The Greek Ionic order is studied in every art history 101 class. It is part of classic architecture and, to this day, is used in governmental and certain religious buildings. It very much represents the Western roots of the field, as well as the palm that opens up on the background. Both Romans and Greeks were fond of foliage to adorn their capitals. In the middle, however, is a South American heliconia shooting upwards - transcending the heavy and old marble foundation.